Thursday, 21 November 2013

My House and the Campfire

My House and the Campfire

The next big shoot we planned to do was the shots at my house and the camp fire. From AS, we knew how challenging it is to have a full day of filming so we were prepared this time.

Although we needed Hannah to film, she could not make the date we had scheduled, so instead we planned that I would take her dialogue. We felt this would work better to portray the main characters in our trailer rather than confusing the audience.

The people who we planned for the shoot were:

Lizzie (Me)

Daniel

Iain

Sam

Matthew

Clare

Karen 






Before the shooting day, we wrote a script for the day. This was to ensure the cast knew hwta they were going to say.



For the first part of the morning, we needed everyone apart from Sam. 11am was an early start so we decided to film the scene where Eve's mother disappears; this was so the lighting represented morning. Although we filmed our storyboard scenes, we changed slightly and added a few shots. We had a mid-shot where Karen (my mum) walks our of the frame. Then, we separately recorded the sound of a spoon dropping This was so we could edit them together to give the impression that she had vanished and dropped the spoon whilst she disappeared. 

Although we planned to have shot zooming out from the door, we had difficulty due to the glad reflecting the camera in it. Therefore, we got a shot as best as we could and decided that we may cut it later during editing.


After this scene, I went to do Clare's hair and make-up. Since we had a full day of filming, we had to ensure that we did this quickly but to a good standard. For this scene, we decided to add curls to Clare's hair as the locationw as in a house (Haden's group would have time to groom themselves.)

























After this, we moved onto the shot of Haden hitting the magazine out of Selene's hand. This took many attempts as we wanted to try different angles, from the magazine flying past the camera, to actually hitting it.


Once this scene was finished, my mum made us all sausage and bacon sandwiches. They filled us up and it gave us time to plan what shot we needed to film next. 

The next scene we chose to shoot was Eve searching for the folder. This shot was done hand-held as we wanted to add movement to our trailer; the Hunger Games (dir.Gary Ross 2012) influenced this.
We decided to film it in the room where we store things as it seemed like a good place to hide a folder. When filming the tracking shot of Eve (me) coming down the stairs, we had many difficulties as I could not stop laughing. We gave Alfie (Matthew) and Michael (Daniel) boxes to carry to suggest that they were gathering items to help them survive, After many attempts, we finally got a few takes where I was not laughing.

Once my scene was shot, we filmed Haden and Selene finding the folder (although this occurs before Eve looks for the folder within the narrative.) Selene (Clare) had the dialogue 'what is it? tell me!'. However, when we filmed it, it sounded very un-natural so we suggested that she only states the interrogative 'what is it?' rather than the imperative 'tell me'.We improvised a few shots and ensured we got the ones we storyboarded filmed.

After this, Sam arrived and we began to set up for the camp fire shots. Before this shot, Iain and Daniel suggested having a camp fire in a wood, however, I felt this was unsafe and possibly against the law so I suggested that we could use my garden. As a safety precaution, I brought two buckets of water to the scene in case anything went wrong.

We dragged some large logs around to sit on and cleared the area of dry leaves. We created a small pit with large stones and added newspaper/paper to the pile. With matches, we lit the fire and ensured that it was contained and a decent size for the shot.

Iain occasionally filmed some hand-held shots of the group whilst we kept the fire from dying. We improvised with other shots such as giving Sam dialogue. We had a shot of Eve reaching over to the other log to comfort Alfie. When framed, it looked as if I was reaching over the fire; this had a semiotic meaning that Eve will would go across something as painful as fire to save her little brother.

Once everything was filmed, we ensured that the fire was completely out and we drowned it with two buckets of water. From this we went to film the shots of Eve and Alfie running up to and slamming the gates shut. This was done very quickly as it was beginning to get very dark and there was not much to consider when filming it.

Iain and Daniel then had an idea. We decided to have Haden and Selene searching for Michael's group in the pitch black with only torches on show.From the influence of the TV series Supernatural, Iain suggested that we had the light shine directly at the camera. We hid upstairs and turned all of the lights off. We experimented with point of view shots and even a scene where the camera was hidden in a wardrobe with me (this shot was unsuccessful.)

Going downstairs, we found a small room in which to film the match scene between Eve and Alfie. This took a few attempts as the camera would not focus and Daniel accidentally turned the light on during the shot.

Finally to finish off our filming day we filmed the sequence that we planned to occur at the beginning of our trailer (the scene where Eve says goodnight to her mum.) By this time we wanted to finish as we had had a long day, however, we carried on and gave our best shot. I changed into some pyjamas and my mum put a dressing gown over her clothes. Once again, I started to laugh onto the scene where I walked in through the door so this took a few takes.
We took many different angles of the same shots as we thought we  could experiment with them in post-production.

Here is a gallery of photos from the day of filming:


Filming Eve's mum disappearing






Filming the Haden and Selene shot




 Filming the scene where Eve looks for the folder



 The Campfire scene
















  The goodnight scene between Eve and her mother

Sunday, 3 November 2013

The Forest Scene

The Forest Scene

After filming small scenes from our storyboard, we wanted to ensure that we had a large section of it done. Therefore, we decided to organise a day where we could film the forest scene. For our AS work, we only had to manage four members of cast/crew unlike this year where we had a maximum of around thirteen. This became quite a challenge to manage.

The people who could make the shoot were: 

Lizzie (Me)

Iain

Daniel

Clare

Sam

Dan

Kieran

Fiona

Alex



Although the storyboard states that Dan is called Ryan, we originally had his name as Jake, changed during filming and then changed back again later.

The night before shooting, I stayed at Clare's house (Selene) so that I was able to do her sinister hair and make-up on the morning. As for prop's we ended baseball bats, however, we found issues with this. A group of teenagers, running around with baseball bats was certain to attract bad attention, potentially putting us at risk with the law. Therefore, we all agreed beforehand that when we are not filming, the bats are wrapped in many bags and secure in a large bag for safety reasons.

At around 1:00pm we all met at Iain's house (which is not far from Clare's) since his place was closest to the forest. I had to wear minimal make-up like Fiona; Fiona was so dedicated she did not brush her ahir for days to get into the character we wanted Michael's group would be living in the forest so they would look run down.)

With everyone at Iain's house, we all set off to shoot the first scene: the field. I was constantly making sure that we were not trespassing as I had learnt from the car park shooting day. When we arrived we found a problem- thick mud. The field was coated in sticky mud that caused problems for running. I kept falling over and Daniel's shoe flew off at one point. Since we needed the 'bad' group to chase us, we had practice runs. After this, we found the 'bad' group ran faster than the 'good' group so we had to work on this. Moreover, we decided that Haden and Selene should not run/chase Michael's group. As a boy of power, we felt Haden should let his henchmen dot he work to portray the upper class attitude. 



The lighting in the shots was one of my favourite things because it really emphasised the colour of the location we picked. Although we had storyboarded a few shots for the field, we improvised and took more shots than planned as we felt it would give us more material for post-production.

After the field shots, we moved deeper into the forest. We decided to add/change a few shots.
One of the shots we added was Haden and Selene looking down whilst their henchmen run past them.


Both me and Daniel filmed the extreme low angled shot by laying on the floor and allowing Fiona to jump over the camera. This was a good way to try out new shots and learn different techniques.

Another thign we changed was the tracking shot of Fiona. On the day, we decided to make the frame a lot tighter than we had planned to follow Hollywood conventions and make it more dramatic.


As for other shots, Daniel experimented and added a few extra shots of Fiona running through a branch covered area. This made the shots seem more urgent as she scrambled through them.  Moreover, when filming the shot of Fiona falling, it only took one shot. Although usally, we film a shot a few times to ensure we get the exact one we want, we felt it was not necessary this time. Fiona did really well as an actress; she ran and hit the floor very dramatically.


One of the hardest shots to shoot was the low angled shot where Haden swings the bat down onto the camera lens. This took a few attempts but proved dangerous. At one point, the nails on the baseball bat hit the lens of the camera and just missed Daniel's hand. This taught me the safety and dangers of filming with props.


Once we had filmed the forest scenes, we moved onto the tunnel shot. Since the tunnel was full of water and incredibly slippy, we found the shot to be difficult to shoot. Also, the water was freezing and seaping through the actors/actress' feet so we wanted to film it as quick as possible. Iain keptslipping and trying to keep his balance whereas Kieran and Alex were bothered about falling it. After a few attempts, we finally got it filmed. Daniel got a point of view shot (looking behind a tree at Haden's group), which we did not storyboard, which me and Iain really liked. 



Finally, we filmed the 'find them' shot. Instead of using an extreme close-up, we used a close-up as we wanted other members to be visible behind Iain (Haden).



At the end of filming, we were all freezing and very hungry, so we treat ourselves do a big McDonalds. YUM!