My House and the Campfire
The next big shoot we planned to do was the shots at my house and the camp fire. From AS, we knew how challenging it is to have a full day of filming so we were prepared this time.
Although we needed Hannah to film, she could not make the date we had scheduled, so instead we planned that I would take her dialogue. We felt this would work better to portray the main characters in our trailer rather than confusing the audience.
Lizzie (Me)
Daniel
Iain
Sam
Matthew
Clare
Karen
Before the shooting day, we wrote a script for the day. This was to ensure the cast knew hwta they were going to say.
For the first part of the morning, we needed everyone apart from Sam. 11am was an early start so we decided to film the scene where Eve's mother disappears; this was so the lighting represented morning. Although we filmed our storyboard scenes, we changed slightly and added a few shots. We had a mid-shot where Karen (my mum) walks our of the frame. Then, we separately recorded the sound of a spoon dropping This was so we could edit them together to give the impression that she had vanished and dropped the spoon whilst she disappeared.
Although we planned to have shot zooming out from the door, we had difficulty due to the glad reflecting the camera in it. Therefore, we got a shot as best as we could and decided that we may cut it later during editing.
After this scene, I went to do Clare's hair and make-up. Since we had a full day of filming, we had to ensure that we did this quickly but to a good standard. For this scene, we decided to add curls to Clare's hair as the locationw as in a house (Haden's group would have time to groom themselves.)

After this, we moved onto the shot of Haden hitting the magazine out of Selene's hand. This took many attempts as we wanted to try different angles, from the magazine flying past the camera, to actually hitting it.
After this, we moved onto the shot of Haden hitting the magazine out of Selene's hand. This took many attempts as we wanted to try different angles, from the magazine flying past the camera, to actually hitting it.
Once this scene was finished, my mum made us all sausage and bacon sandwiches. They filled us up and it gave us time to plan what shot we needed to film next.
The next scene we chose to shoot was Eve searching for the folder. This shot was done hand-held as we wanted to add movement to our trailer; the Hunger Games (dir.Gary Ross 2012) influenced this.
We decided to film it in the room where we store things as it seemed like a good place to hide a folder. When filming the tracking shot of Eve (me) coming down the stairs, we had many difficulties as I could not stop laughing. We gave Alfie (Matthew) and Michael (Daniel) boxes to carry to suggest that they were gathering items to help them survive, After many attempts, we finally got a few takes where I was not laughing.
Once my scene was shot, we filmed Haden and Selene finding the folder (although this occurs before Eve looks for the folder within the narrative.) Selene (Clare) had the dialogue 'what is it? tell me!'. However, when we filmed it, it sounded very un-natural so we suggested that she only states the interrogative 'what is it?' rather than the imperative 'tell me'.We improvised a few shots and ensured we got the ones we storyboarded filmed.
After this, Sam arrived and we began to set up for the camp fire shots. Before this shot, Iain and Daniel suggested having a camp fire in a wood, however, I felt this was unsafe and possibly against the law so I suggested that we could use my garden. As a safety precaution, I brought two buckets of water to the scene in case anything went wrong.
We dragged some large logs around to sit on and cleared the area of dry leaves. We created a small pit with large stones and added newspaper/paper to the pile. With matches, we lit the fire and ensured that it was contained and a decent size for the shot.
Iain occasionally filmed some hand-held shots of the group whilst we kept the fire from dying. We improvised with other shots such as giving Sam dialogue. We had a shot of Eve reaching over to the other log to comfort Alfie. When framed, it looked as if I was reaching over the fire; this had a semiotic meaning that Eve will would go across something as painful as fire to save her little brother.
Once everything was filmed, we ensured that the fire was completely out and we drowned it with two buckets of water. From this we went to film the shots of Eve and Alfie running up to and slamming the gates shut. This was done very quickly as it was beginning to get very dark and there was not much to consider when filming it.
Iain and Daniel then had an idea. We decided to have Haden and Selene searching for Michael's group in the pitch black with only torches on show.From the influence of the TV series Supernatural, Iain suggested that we had the light shine directly at the camera. We hid upstairs and turned all of the lights off. We experimented with point of view shots and even a scene where the camera was hidden in a wardrobe with me (this shot was unsuccessful.)
Going downstairs, we found a small room in which to film the match scene between Eve and Alfie. This took a few attempts as the camera would not focus and Daniel accidentally turned the light on during the shot.
Finally to finish off our filming day we filmed the sequence that we planned to occur at the beginning of our trailer (the scene where Eve says goodnight to her mum.) By this time we wanted to finish as we had had a long day, however, we carried on and gave our best shot. I changed into some pyjamas and my mum put a dressing gown over her clothes. Once again, I started to laugh onto the scene where I walked in through the door so this took a few takes.
We took many different angles of the same shots as we thought we could experiment with them in post-production.
Here is a gallery of photos from the day of filming:
Filming Eve's mum disappearing
Filming the Haden and Selene shot
Filming the scene where Eve looks for the folder
The Campfire scene
The goodnight scene between Eve and her mother











